Successful strategic development and delivery of marketing and communications for BEAF 2019, including extensive coverage of the festival in local and regional print media (e.g. Dorset Magazine May 19).
Implementing and developing Hofesh Shechter Company’s audience development and digital strategies (visit Hofesh Shechter Company Blog); designing and delivering the company’s marketing campaigns for all productions.
Developing a Marketing and Audience Development Strategy for NEBT’s 2019 & 2020 seasons.
At Ballet Kiel and at the Theatre Royal Bury St Edmunds I was responsible for writing, compiling and editing programme booklets for various dance and theatre productions.
I have extensive experience in writing across a range of subjects and media, including publications on archaeology, gender, dance, drama and historic theatres, in formats ranging from academic books to features in exhibition catalogues and periodicals, and from live interpretation scripts to marketing copy, press releases, reports and strategic documents.
Project manager of Pavilion Dance South West’s rebranding, which merged its two different public identities – the dance development organisation, Dance South West, and the Bournemouth-based venue, Pavilion Dance – into one.
(Brand designed by Revolting / further developed by CuCo)
Brand guardian for all internal and external brand communications.
More examples onissuu.com/pdsw
Artwork development for the Theatre Royal Bury St Edmunds (pictured), tanzhaus nrw, Ballett Kiel, Pavilion Dance South West, Hofesh Shechter Company and New English Ballet Theatre, including season brochures, guide books, leaflets, postcards, advertising (in collaboration with various freelance designers and design agencies).
Project manager for the new Pavilion Dance South West website (www.pdsw.org.uk) and subsequent website management and content production, including SEO.
(Website developed by LexisClick, Bournemouth)
Website development for Ballett Kiel, Ballettschule Grabbe, Kiel, and Micky Lyne, Graphic Design.
Lead on developing PDSW’s digital marketing strategy and on re-focussing its social media presence towards a proactive, engagement and content-led approach.
Theatre Royal Bury St Edmunds (pictured): Project manager for a set of permanent interpretation panels and displays installed during the redevelopment of the Theatre.
(Design by Kersey and Balme)
I also developed a series of guided tours and public lectures at the Theatre Royal and devised and project-managed other public engagement events such as open days and on-stage demonstrations.
At Ballett Kiel I led a series of post-show talks, introductory and pre-production events, and I was involved in several archaeological public engagement initiatives, from talks and lectures to experimental archaeology demonstrations.